Tuesday, 25 April 2017

IFPI - Global Recorded Music Revenues Increased by 5.9% in 2016

The global recorded music market grew by 5.9% in 2016, the highest rate since IFPI began tracking the market in 1997, according to the IFPI Global Music Report 2017, released today.  Total revenues for 2016 were US$15.7 billion. 

At the end of 2016 there were 112 million users of paid music streaming subscriptions driving year-on-year streaming revenue growth of 60.4%. Digital income last year accounted for half the global recorded music industry’s annual revenue for the first time. Growth in streaming more than offset a 20.5% decline in downloads and a 7.6% decline in physical revenue.

Streaming is helping drive growth in developing music markets, with China (+20.3%), India (+26.2%) and Mexico (+23.6%) seeing strong revenue growth.

Key figures:

- Global revenue growth: +5.9%
- Digital share of global revenues: 50%
- Digital revenue growth: +17.7%
- Growth in streaming revenues: +60.4%
- Physical revenues: -7.6%

- Download revenue: -20.5%

But say the IFPI, the 'value gap' (the growing mismatch between the value that user upload services, such as YouTube, extract from music, and the revenue returned to those who are creating and investing in music) is the biggest threat to the future sustainability of the music industry.

IFPI Global Music Report 2017 http://www.ifpi.org/downloads/GMR2017.pdf

Thursday, 20 April 2017

Mysteryland US cancelled

The US  edition of Mysteryland has just been cancelled. A statement on the Lifestyle promoted event's website reads: "Dear Nomads", Due to unforeseen circumstances, Mysteryland USA will no longer take place in 2017. Since 2014, we have strived to produce the best possible experience for our festival attendees, and are truly humbled by all of the love and support that you, the artists, the beautiful venue of Bethel Woods Center For The Arts and the town of Bethel have shown us as we celebrated life through music, culture and art". The 2017 event was due to take place in July, headlined by LCD Soundsystem, Major Lazer and G-Eazy. 

Friday, 31 March 2017

USA recorded music sales up as streaming soars

The USA, the world's largest recorded music market, saw double digit revenue growth in 2016. US recorded music sales last year were up 11.4% to $7.7 billion, fuelled by the streaming boom. The American streaming market grew 68% last year, and streaming services brought in marginally more cash than downloads, CDs and vinyl combined, with subscription streaming driving the growth, as revenues more than doubled year-on-year in 2016, while income from the ad-funded on-demand platforms like YouTube and Spotify Free were up 26%.

Safe As Milk cancels at the last minute

North Wales-based Safe As Milk festival, scheduled for the 21-23 April,  has been cancelled and the company behind the event has gone into administration due to poor ticket sales. The event was a partnership between Newcastle's Tusk Music and Alt.vinyl. Artists set to perform included The Butthole Surfers, Jeff Mills & Tony Allen, Omar Souleyman, Actress, Anna Meredith, Demdike Stare and The Residents.

A statement from the organisers read: "We are very sorry to announce that we have had to take the decision to cancel Safe As Milk Festival. Despite the widespread excitement about the event, we're sorry to report that ticket sales have not reached a level to make the event viable so, despite our best efforts, we have no other option but to cancel".

A creditors meeting is set for the 25 April

Wednesday, 29 March 2017

China's Music licensing revenues increase - but still low by international standards

According to the statistics released by the Music Copyright Society of China (MCSC), music industry licensing revenue amounted to RMB184 million (approx. £21 million) in 2016, an increase of 8.2% from last year. Digital licensing accounted for most of the growth and now represents 37% of the total. Revenues from broadcasting and public performances dipped. Music licensing revenues in China remain low by global standards. Draft amendments to the Chinese Copyright Law may help, with proposals for new statutory rights for sound recordings. In November 2016 the UK-China Economic and Financial Dialogue (EFD) including a commitment that “China will urge copyright owners and broadcasters to timely perform their respective obligations in accordance with the Interim Measures for Payment of Remuneration by Radio and Television Stations for Broadcasting Sound Recordings”. More here (in Chinese) and here (in English).

And in Kenya, The Music Copyright Society of Kenya has lost the licence to collect music royalties. The moved followed the decision by the board of directors of Kenya Copyright Board to approve the licensing of a new body, Music Publishers Association of Kenya Limited, to collect royalties on behalf of authors, composers and publishers from March 2017 to February 2018, effective immediately. The decision was made after the new association satisfied the requirements of Section 46 of the Copyright Act, 2001, and Regulation 15 and 16 of the Copyright Regulations 2004. The embattled MCSK will have to wait for a year to apply for new license. The organisation has been embroiled in controversy, with many artistes accusing the society of failing to distribute collected revenues and corruption over many years.

Thursday, 16 March 2017

THE REVOLVING DOOR

Jason Carter, architect of the influential BBC Introducing platform for new artists, has announced his departure from the BBC after 20 years – and MBW reports that Carter will hold a senior position at Amazon, with Carter becoming Director of a new initiative at the company.

Michael Coppel has been named chairman of Live Nation of Australia and New Zealand.

Coppel, who sold his Michael Coppel Presents business to Live Nation in April 2012, was formerly Live Nation Australasia’s president and CEO, overseeing the company’s acquisition of Splendour promoter Secret Sounds and the lease on Melbourne’s Palais Theatre.

United Talent Agency (UTA) has hired Mike “Mike G” Guirguis, Bex Majors, and Billy Wood as agents. The announcement complements UTA’s appointment of Greg Janese to lead the agency’s corporate and special events division, along with the recent announcements of Rob Walker as a music agent and Toni Wallace as head of Music Brand Partnerships.


The UK’s Association of Independent Music (AIM) has appointed Gee ‘Genia’ Davy as in-house Legal and Business Affairs Manager. Davy joins AIM from her previous position as Legal and Business Affair Manager at Cooking Vinyl.

German promoter Wizard Promotions is now being led by the son of its founder, Oliver Hoppe, as sole MD. Dad Ossy Hoppe will continue to advise the company.

Ninja Tune has brought two new people into its sync department, Isobel Palos and Rob Buckley. Palos, formerly Head Of Film & TV at Beggars, will take up the same role at Ninja and its publishing division Just Isn't Music, with the addition of advertising to her remit. Meanwhile Buckley joins from Pitch & Sync to head up the Bespoke department, working with the label and publisher's artists and composers on specific commissions.

Amazon has also hired music industry veteran Alex Luke to join its Amazon Music team. Luke is hired in a newly created leadership position, Global Head of Programming & Content Strategy, reporting directly to Steve Boom, VP of Amazon Music. Prior to Amazon, Luke was a founding member of the Silicon Valley-based venture capital firm, The Valley Fund, managing developing investments in digital media and entertainment.

SoundCloud has parted ways with its COO Marc Strigel and Finance Director Markus Harder. The news comes five weeks after the Berlin-based company filed a fiscal report for 2015 showing annual revenues up 21.6% to €21.1m ($22m), but net losses accelerating 30.9% to €51.22m ($52m).

Subsequent to the news that global licensing head Francis Keeling was out at Spotify after just nine months, one of Spotify’s longest-serving executives, lawyer Petra Hansson, has quit the company. One of the most senior legal figures at Spotify worldwide, Hansson has worked at the business’s Stockholm HQ for a decade. She was headhunted from leading Swedish law firm Mannheimer Swartling in 2007. Hansson and Keeling are the latest high-profile executives to exit Spotify in a year that  has seen a string of senior departures. They have included Chief Revenue Officer Jeff Levick, content chief Ken Parks, EMEA sales boss Jonathan Forster and label relations head Steve Savoca. Spotify UK's head of consumer marketing, ex-Columbia and V2 exec Karen Staughton, is also leaving the company this month for a new position overseas.

Silvia Montello has joined Kobalt Music Recordings as SVP, Supply Chain and Client Services. Meanwhile, Pete Dodge leaves the company after 5 years.

Twickenham Stadium has appointed Mark Lynch as its new venue director, He joins from Abu Dhabi's Yas Marna Grand Prix Circuit where he was operations director.  The stadium has a capacuty of 55,000.

Aisla Oliver and Jen Mitchell have been appointed general managers at the SMG operated Metroi Radio Arena in Leeds. Oliver has been deputy GM at the Atreena for 4 years and Mitchell joins from the Kings Place complex in London.  

Universal Music Publishing Group (UMPG) has appointed Walter Jones as VP Creative. Reporting to David Gray, UMPG EVP/Head of West Coast A&R, Jones will relocate to Los Angeles. The respected exec moves across from his previous role as Sony/ATV’s Vice President of Urban A&R.

Vevo has appointed Will Jackson to the newly created role of SVP of Strategy and Operations. He joins after nearly three years at Pandora

SoundCloud has appointed Merritt Farren as its new General Counsel.. Farren’s appointment succeeds former General Counsel Neil Miller, who left the company earlier this year after six years in the role, for a position at JAG Shaw Baker. 

Warner Music Finland has promoted Mark Fry to the position of Managing Director. The move comes as his predecessor - Niko Nordström - moves to head up Warner Music Australasia. In his new role, Fry will report to Jonas Siljemark, President, Warner Music Nordics. Fry will assume the role after serving as General Manager and Marketing Director of Warner Music Finland.

Jackson Wong has been appointed as Managing Director of Warner Music China.
He joins Warner Music Group (WMG) from film production and distribution company Oriental DreamWorks. In his new role, Wong will be based in Beijing and report to Sam Chen, WMG’s CEO of Greater China.

Australia-born independent music company Mushroom Group has promoted Chris Maund to the newly created role of Chief Operating Officer. Maund was previously Managing Director of Mushroom label Ivy League Records, as well as Director of Legal & Business Affairs for the Mushroom Group.

First Access Entertainment has named former Ultra Records A&R Oscar Scivier Vice President of A&R. In his new role, Scivier will be based between New York and Los Angeles, working across the company’s existing roster to develop music releases and sign new talent.


Independent publisher Imagem has appointed artist manager Sara Lord as Global Head of Creative Services. In her new role, she will oversee sync and market copyrights.



Tunecore Chief Creative Officer Joe Cuello has exited the distributor to become General Manager of mobile app company EscapeX. EscapeX provides creators with tools to monetise social media through advertising, subscriptions, and a patented virtual currency.

Former BMI exec Richard Conlon has joined SoundExchange as Chief External Affairs Officer. In his new role, Conlon will oversee the digital PRO’s corporate communications, industry relations and public policy efforts.

Big Machine Label Group has hired Kris Lamb, who joins from sister label Dot Records, as VP of Promotion.  Lamb replaces Big Machine’s SVP of Promotion Jack Purcell, who is understood to have left Scott Borchetta’s label after more than a decade.  And Big Machine has promoted Matthew Hargis to SVP, Promotion for BMLG Records.


Wednesday, 15 March 2017

RIP

Joni Sledge, the singer best-known for the disco anthem We Are Family, has died aged 60. Joni, who formed Sister Sledge with her three siblings in 1971, was found unresponsive by a friend at her home in Phoenix, Arizona, her publicist said. Sledge, who is survived by her adult son, last performed with the band in October.

The Grammy-winning jazz singer Al Jarreau has died in a Los Angeles hospital, days after announcing his retirement from touring due to exhaustion. A statement posted to Facebook said Jarreau “passed away this morning. He was in the hospital, kept comfortable by his wife, son, and a few of his family and friends. The Wisconsin native won seven Grammys over a 50-year career and was one of few artists to have won Grammys in three categories – jazz, pop and R&B. He was also a vocalist on the all-star 1985 charity track We Are the World and sang the theme to the TV hit Moonlighting, for which he wrote the lyrics

Tommy LiPuma, athe producer and label chief whose work with jazz and pop artists resulted in more than 30 Grammy nominations and sales of more than 75 million albums, has died in New York City after a brief illness. He was 80. LiPuma had a key A&R job at A&M in its formative years, was a co-founder of Blue Thumb, was an A&R exec/producer at Warner Bros. in the late ‘70s, a Senior VP at Elektra and the Verve Music Group chief from the mid-1990s to 2011 and played crucial role in the careers of George Benson, Diana Krall, Al Jarreau (see above), Barbra Streisand and Natalie Cole. LiPuma also recently produced Paul McCartney’s 'Kisses on the Bottom', for which he won the fourth of his five Grammys, and an album for trumpeter Dominick Farinacci.

Deke Leonard, the author, raconteur, and guitarist of legendary Welsh band Man, has died at the age of 72. The Llanelli-born musician, who had recently returned to live in the town with long-time partner Mary, made his name with the South Wales rock band.


Steve Lang, former bassist for Canadian rock legends April Wine, has passed away at the age of 67. April Wine guitarist/vocalist Brian Greenway saud “It is with great sadness that I let you know that Steve Lang passed away. I was in many bands with Steve. Steve was the bassist of April Wine 1975 to 1984. All the big hits. Steve also did very well as a Financial Investor with his own company. He was a friend of 50 years. Steve was 67. My sincere condolences to his family.”

Singer-songwriter and music industry executive Tommy Page has been found dead. He was 46.
Page is best known for his 1990 US number one single 'I'll be Your Everything'. In 1997 he moved over to the other side of the industry, working for Warner Bros Records in A&R for almost fifteen years. In 2011, he left the label to become a publisher at music industry magazine Billboard. Subsequently, he has held senior roles at Pandora, Cumulus Media and the Village Voice. He also continued to perform live.

Toby Lovegrove, the much-loved member of the Glastonbury  Festival’s crew, has passed away suddenly in Thailand. Toby’s family have worked at the Festival for many years, with Toby coming to Glastonbury from early childhood and going on to work as a lighting technician for the Glade and Silver Hayes areas. Toby was a hugely valued member of the Festival’s crew and Glastonbury was, according to Toby’s family, “his favourite place on earth”.


Peter Overend Watts, the flamboyant bass player with Mott The Hoople has died aged 69. It was Watts who persuaded the band to reform after David Bowie offered them 'All The Young Dudes' which then went to number 3 in the UK singles carts, and with Bowie producing their next album going top ten, the band the band enjoyed commercial success, albiet success with a 'glam rock' flavour. In later life Watts was a keen fisherman and keen walker, and completed the Lands End to John o'Groats walk in 63 days, as well as the length of Offas's Dyke, and Alfred Wainwright's Coast to Coact pathways.  Dale 'Buffin' Griffin, Mott Tbe Hooper's drummer, who went on t be a successful record prodicer died last year aged 67. Griffin and Watts recorded music as the British Lions.


Bryn Lewis, The founder and owner of the 500 capacity The Brook in Southampton, has dies after a short illness. 

Tuesday, 14 March 2017

Guns N Roses Singapore show - dreadful - but no refunds

Guns N Roses played their first ever show in Singapore was blighted by what Promoter LAMC Productions has admitted to stem from a string of errors - but LAMC but stopped short of issuing refunds. Ticketholders complained of long queues for food and drink, and transport on and off the Changi Exhibition Centre site. There were also issues with pre-paid credits on RFID writsbands, which many found themselves unable to use for cashless purchases on site after food and drink in one area ran out. Admitting the problems, LAMC's Ross Knudson told The Strait Times that "maybe it was too big for us" but then added "We're not going to be refunding tickets, but we apologise". Whilst the promoters blamed tneir desire to embrace new technology,  the company that provided hardware for scanning tickets distanced itself from the problems that occurred at the event's entry points, saying that it had made enough scanners available but that there were not enough staff on hand to operate them and that organisers ignored their recommendations".

Two dead in Argentine barrier crush

Two fans have been killed and dozens more are injured in a crush at a Indio Solari concert at the La Colmens in the Buenos Aires, Argentina,  attended by 300,000 people even though local sources say the venue's capacity was just 200,000. The death toll may be higher. Witnesses said people were pushing to get into the concert after it had started and several people were collapsing because they appeared to be drunk. Those killed or injured were caught up in what is being described as 'an avalanche' of people pushing forward towards the stage barrier.


International Live Music Awards - The Arthurs - the winners!

The winners of the 2017 'Arthurs' at the ILMC are out - and main accolade of the evening, the Bottle Award, went to a very surprised and emotional Herman Schueremans, of Live Nation Belgium/Rock Werchter. 

The other winners are:

Venue (First Venue to Come into Your Head)
Royal Albert Hall

Production services (Services Above and Beyond)
Eat to the Beat

Professional services (Most Professional Professional)
Selina Emeny, Live Nation

Festival (Liggers’ Favourite Festival)
British Summer Time

Ticketing (The Golden Ticket)
CTS Eventim

Assistant (The People’s Assistant)
Sarah Donovan, Live Nation UK

New business talent (Tomorrow’s New Boss)
Oliver Ward, UTA

Agent (Second Least Offensive Agent)
John Giddings, Solo

Promoter (The Promoters’ Promoter)
Stephan Thanscheidt, FKP Scorpio

Saturday, 11 March 2017

UK government to act on touting

In the wake of an outcry over touts re-selling tickets for Ed Sheerhan's Teenage Cancer Trust charity show at the Royal Albert Hall and Adele's O2 concerts, UK ticket touts who use computer 'bots' to mine for concert tickets before selling them for massive profits, and blocking fans from seeing their favourite artists except at huge mark ups, will face unlimited fines.

National Trading Standards will also be handed a ringfenced pot of money to fund efforts to stop fans being ripped off or shut out of the most in-demand events.

As well as criminalising bots, United Kingdom ministers at the DCMS will accept in full the recommendations of a review by Professor Michael Waterson, who published proposals to tackle rogue ticket traders last year. These include demanding that ticket firms to step up their own efforts to prevent the use of bots and to report any attacks on their systems by touts trying to harvest tickets.

Culture minister Matt Hancock said: "This profiteering is simply not fair, so we are acting to put fans first and improve the chances of seeing our favourite musicians and sports stars at a reasonable price" adding "Ticket sellers also need to do more, by improving transparency and ensuring that they are acting in the best interests of consumers and help the market work for everyone."

http://news.sky.com/story/ban-on-bots-ticket-touts-face-unlimited-fines-10797695

https://www.theguardian.com/money/2017/mar/10/ministers-to-criminalise-use-of-ticket-tout-harvesting-software

http://www.bbc.co.uk/news/uk-39239133

Friday, 24 February 2017

Record year for Live Nation

Live Nation stocks soared to an all-time high following the announcement of record revenues for the sixth consecutive year, climbing above US$30 for the first time. For the 12 months ended 31 December 2016, Live Nation Entertainment saw revenue rise 15% to $8.4 billion.

Operating income was up 48% to $195 million, while AOI (income before acquisition and stock expenses, depreciation and loss/gains from the disposal of assets) climbed 12% to $646m. Concert attendance was also up 12%, to 71 million people, while Ticketmaster increased gross transaction value 16% to $28bn on a constant-currency basis, boosted by posting six of its ten best-ever months in 2016. Rapino said the integration of Ticketmaster into new partner sites, including Spotify and Facebook, led to the sale of 10 million more tickets.

http://www.iq-mag.net/2017/02/record-live-nation-entertainment-turnover-sixth-year/#.WLAdwzuLSM9

Festival and Event Industry Tackle Sustainability, Social Division & Censorship

With just 2 weeks to go until A Greener Festival and the ILMC’s eagerly awaited Green Events & Innovations Conference (GEI9), London’s Royal Garden Hotel, 7th March, the full line up of top speakers and sessions has been released.

The live event and festival industry are coming together to tackle issues of sustainability and the role that the global live events industry must take in the face of perceived political and social divisions, and artistic censorship.

GEI9 will debate issues from site design and infrastructure, sustainable set and stage design, the impact of fireworks and special effects on the environment, what Brexit and the current political environment means for events, and how censorship and oppression of musicians is reported to have doubled between 2015 and 2016.

This is set to be a pivotal event of lively, challenging and meaningful exchanges.

The UK’s Sustainability Conference for Festivals and Events is back on Tuesday 7th March 2017

GEI9 is A Greener Festival’s annual flagship event delivered in partnership with the International Live Music Conference (ILMC). Each year welcoming diverse and inspiring speakers and projects from around the world to gather and challenge the way we deliver events towards a better impact for our environment and society.
The theme for GEI9 is “Sustainable Design”. The art of creating every aspect of great events involves both creativity and impeccable production techniques. By instilling ecological, economic and social principles in to all aspects of event design in conception, communication, implementation and review, necessary changes can be achieved.

GEI 9 will explore how sustainable design is being applied to operations, artwork, infrastructure and management, to align events with our natural and technological environment in the 21st century.

This is in addition to the usual program of the most current innovations and developments at festivals and events from around the world, including those assessed by A Greener Festival.

Keynote: Designing Sustainability into the DNA of Events

Lucy Legan, Co-founder, Ecocentro IPEC (BR)

Ecocentro IPEC in Brazil is the largest reference centre of sustainability in Latin America, and demonstrates scalable models of social technologies. Keynote speaker, Lucy Legan MSc, has played an integral role in environmental education in Brazil and is a best-selling author of educational books on sustainability literacy.

Since 2006, Lucy has collaborated with Boom Festival, Portugal, as it transitions to a model of sustainability by implementing permaculture edible gardens for festival-goers, natural construction, composting during the festival on a large-scale (with 90 tons composted on-site during the last edition), and by co-ordinating a highly efficient waste-management team.
Many festivals and events are taking on the challenge of innovation in sustainability. A new paradigm of sustainable and responsible events takes into account the dynamic elements potentially acting as a laboratory for change. The future of green events is in the hands of event producers and event attendees.

Permaculture design offers a framework for thinking and designing sustainable festivals and events, where new economies, ecological landscapes, scaled technological solutions, transition strategies and social redesign can be tried out in a temporary autonomous zone.

Panel: Get Lithe Leccy! Smart Design of Event Energy
Paul Schurink (ZAP Concepts, NL) | Steve Muggeridge (Green Gathering, UK) | Tim Benson (Hybrid Energy Consultant, UK)

Which festival stakeholders need to be involved in changing an event’s energy sources and how should we go about persuading traditional energy suppliers used to providing diesel generators, to completely rethink their business model?

Paul Schurink is an expert in the field of temporary energy supply, sustainability and innovations and has been involved with a variety of large-scale events including the Olympic Games and UEFA EURO 2012. He will present a case study of Zap’s work with DGTL BCN festival in Spain.

Joining Paul will be environmentally conscious event organiser and sustainable event veteran, Steve Muggeridge, of iconic Green Gathering fame, who will reveal how the event’s team go about designing the site layout, their use of power hubs, and even the programming of the entertainment, in order that the entire festival is run on renewable energy.

 

Launch: The Smart Energy for Outdoor Festivals Guide
Chris Johnson, Powerful Thinking, Shambala Festival (UK)

Five years on from the launch of The Power Behind Festivals Guide, Powerful Thinking has released a comprehensive update to their indispensable industry energy guide – Smart Energy for Outdoor Festivals. And what’s more, this eagerly awaited guide will be exclusively launched by Chris Johnson, during GEI9.

Presentation: Latest Actions & Challenges for Greener Festivals
Claire O’Neill, Co-Founder, A Greener Festival (UK)
Following the assessment of 25 festivals across 11 countries in 2016, A Greener Festival will provide insight into the latest developments and key challenges that events are experiencing in the pursuit of sustainability, and will also be launching the Greener Festival Assessment Report.

Presentation: What Next? Environmental Policy Post-Brexit
Amy Mount, Head of Greener UK Unit & Senior Energy Policy Advisor, Green Alliance (UK)

Greener UK is a group of 13 major environmental organisations with a combined public membership of 7.9 million, united in the belief that the UK leaving the EU will provide us with a pivotal moment to restore and enhance the UK’s environment.

Amy Mount will offer insights into the risks and opportunities that Brexit poses to UK environmental policy, and the work of Greener UK, which includes NGOs such as WWF, Greenpeace, National Trust and the Woodland Trust.

Panel: Wider Environment – Nationalism & Climate Change Denial 
Fruzsina Szép, Yourope (DE) | Holger Jan Schmidt, Co-founder, GO Group (DE) | Stephen Budd, Stephen Budd Music (UK) | Ivan Milivojev, Exit Festival (RS) | Amy Mount, Green Alliance (UK) 

Green events are about more than just lowering our environmental impact. In this session, we will look at the social and cultural effects of recent global political developments, and what role events might play.

Fruzsina Szép will share the actions of European festival association, Yourope, and their recent Take a Stand initiative, aimed at encouraging festival promoters to foster values of “social togetherness, understanding and tolerance for all cultures, genders, races, religions, sexual orientations, colours and origins.”

Fruzsina will be joined by renowned artist manager, Stephen Budd, who will be sharing his recent experiences of artist censorship and oppression with us; along with Exit Festival’s Ivan Milivoje, GO Group’s Holger Jan Schmidt and Amy Mount from Green Alliance.
According to research from the FreeMuse annual report Art Under Threat, such cases have more than doubled since 2015. What action must we take, therefore, to protect our freedom to present an alternative, inclusive vision for society?

Panel: Sustainable Set & Stage Design
Chris Tofu, Continental Drifts (UK) | Bertie Cole, Arcadia Spectacular (UK) | Tim Leigh, Stage One (UK)

With the competition to create sets and stages that are more impressive, more elaborate, and more expensive to build, maintain and shift, this session will ask how innovative approaches to extravagant stage and set design can be delivered without a jarring waste of the world’s resources. Hear from the leading set and stage designers and builders about what techniques are being adopted to reduce the waste without loosing the artistic impact.

Panel: The Environmental Impact of Fireworks
Aymeric Lecomte, A Greener Festival/Bournemouth University (UK)

They might be visually impressive but what is the environmental impact of firework displays at events? Is there a legitimate cause for concern or does the bang really outweigh the bother?

Aymeric Lecomte presents the latest research on this controversial subject, and opens the debate for the future of special effects in the live entertainment industry.

Tom will present an industry and consultant's view on the environmental issues surrounding the use of fireworks and pyrotechnics - and to try and dispel some of the myths that surround their use at events big or small.

Drawing on his experience as a chemist and having worked in the industry since his teenage years and latterly as a consultant to major events such as London NYE and the Olympics, Tom has a unique perspective on what the issues really are.

Panel: The Future World of Special Effects 
Patrick O’Mahoney, Newsubstance (UK) | Aymeric Lecomte, AGF (UK) | Dr Thomas Smith, Pyrotechnics Association (UK) | Dr Thomas Smith, British Pyrotechnics Association (UK) | Stuart Warren-Hill, HoloGauze (UK)

Having turned the spotlight on the environmental impact of fireworks and special FX, Dr Thomas Smith, Patrick and Aymeric will take a subsequent look at alternative methods of providing the wow factor at events without literally costing the earth.

From drones, lasers and holograms to mind boggling chemical compounds – what are the safe alternatives in the explosive world of special effects?

Panel: Designing Inputs for Greener Outputs 
Chris Cooke, CMU (UK) | Sid Sharma, Shambala Festival (UK) | Lucy Legan, Boom Festival (PT) | Mikkel Sander, Roskilde Festival (DK)

Smart events choose smart design. In this panel we will look at how infrastructure can be planned and delivered in a way that it will help events significantly lower their wastage of fuel, water, food, materials and resources.

Where | When
GEI9 will take place at the Royal Garden Hotel in London from 10:00 until 18:00 on Tuesday 7 March 2017. 

Immediately after the event, all GEI delegates are invited to attend a closing drinks event that will take place in the York Suite of the hotel for a chance to network, discuss the day's events and enjoy a tipple or six.

Rooms 3 & 4, Lower Ground Floor, Royal Garden Hotel
2-24 Kensington High St, Kensington, London W8 4PT, UK
10:00 - 18:00, Tuesday 7 March 2017
Registration | Rates

A delegate pass for GEI costs £99 plus booking fee, with a discounted rate of £65 available to ILMC delegates, students, and members of AGF, AIF and Yourope. The ticket price 
includes a five-star lunch, refreshments, and a closing drinks party.

Please note that all our early-bird tickets are now sold-out.

ILMC delegates should tick the relevant box when registering for ILMC.

Members of AGF, AIF and Yourope are limited to two representatives per festival, and should contact hello@agreenerfestival.com.

Non-ILMC delegates should click here to register for GEI9.
To see footage and presentations from previous editions of GEI, click here.
For more information and tickets, click here.

Thursday, 23 February 2017

Avenged Sevenfold crew member dies in accident

A member of the local crew working on an Avenged Sevenfold concert that took place in Stuttgart earlier this week was killed when another stagehand fell from the rafters and landed on top of him. It appears that the tragedy happened as the stage was being taken down after the gig. In a statement, the band said: "Last night after our show in Stuttgart, Germany, a 26 year old stagehand fell from the rafters while breaking down our stage. He fell a very far distance onto a nineteen year old man on the local crew. Tragically, the nineteen year old died from his injuries. The other man is now in critical condition at the hospital" and "This is beyond heartbreaking to everyone in the band and on our crew. We all send our thoughts and prayers to the man in the hospital, both families involved, all of the local Live Nation crew and everyone else whose lives have been affected by this terrible accident. We love our crew so much as well as the many local staff who are essential to our show every night wherever we are around the world. This is such a stark reminder of how quickly an accident can happen and lives shattered in the process".

Spain's Doctor Music Festival back in 2019

Spain's legendary Doctor Music Festival is being resurrected after a 20-year absence. Last held in 2000, the festival has hosted the likes of David Bowie, Bob Dylan, Blur, Lou Reed and Rage Against The Machine. The next event will take place from July 12-14, 2019 at the same location as its first three years up to 1998 - Escalarre, in the Vall d’Àneu, in the Catalan Pyrenees. Neo Sala, CEO and founder of concert music promoter Doctor Music, told Music Week the festival would be 50,000 capacity, with bookings to begin a year in advance.

Ticketmaster buys Czech ticketing company Ticketpro

Live Nation's ticketing arm Ticketmaster has bought Czech ticketing company Ticketpro, boosting its presence in Central Europe and especially the Czech Republic. Ticketmaster International's Mark Yovich said "Acquiring Ticketpro enables us to better service our clients in Central Europe, while providing a world class service to the many fans in these countries" and Ticketpro chief Serge Grimaux added: "Having started our business in the Czech Republic, Ticketpro has established a proven track record in Central Europe and many emerging markets around the world. Combining this with Ticketmaster's global scale and reach will ensure that Ticketpro continues to provide an even better experience to its current fans, while attracting considerably more. This is an exciting time for the business and the live entertainment industry in this part of the world. For me, it is the end of a ticketing journey which has lasted over 25 years".

The BRITS 2017 - the winners

The BRITS 2017 - the winners

British Female Solo Artist: Emeli Sandé 

British Male Solo Artist: David Bowie

British Group: The 1975

British Breakthrough Act: Rag N Bone Man

British Single: Little Mix - Shout Out To My Ex

British Video: One Direction - History

British Album: David Bowie - Blackstar

International Male Solo Artist: Drake

International Female Solo Artist: Beyonce

International Group: A Tribe Called Quest

BRITs Global Success Award: Adele

Critics' Choice: Rag N Bone Man

Thursday, 16 February 2017

The Grammys - (some of) the winners

Album Of The Year: 25 — Adele 

Record Of The Year: “Hello” — Adele 

Song Of The Year: “Hello” — Adele Adkins & Greg Kurstin, songwriters 

Best New Artist: Chance The Rapper

Best Pop Vocal Album: 25 — Adele 

Best Pop Solo Performance: “Hello” — Adele 

Best Pop Duo/Group Performance: “Stressed Out” — Twenty One Pilots 

Best Dance Recording: “Don’t Let Me Down” — The Chainsmokers Featuring Daya 

Best Dance/Electronic Album: Skin — Flume 

Best Contemporary Instrumental Album: Culcha Vulcha — Snarky Puppy

Best Rock Performance:“Blackstar” — David Bowie

Best Metal Performance: “Dystopia” — Megadeth

Best Rock Song: “Blackstar” — David Bowie,

Best Rock Album: Tell Me I’m Pretty — Cage The Elephant

Best Alternative Music Album: Blackstar — David Bowie 

Best R&B Performance: “Cranes in the Sky” - Solange

Best R&B Song: “Lake By the Ocean” — Hod David & Musze, 

Best Urban Contemporary Album: Lemonade -  Beyoncé 

Best R&B Album: Lalah Hathaway Live — Lalah Hathaway

Best Rap Performance: “No Problem” — Chance The Rapper Featuring Lil Wayne & 2 Chainz 

Best Rap Album: Coloring Book — Chance The Rapper 

Best Country Solo Performance: “My Church”  -  Maren Morris

Best Country Duo/Group Performance: “Jolene” — Pentatonix Featuring Dolly Parton

Best Country Album:  A Sailor’s Guide To Earth — Sturgill Simpson

Best Jazz Vocal Album: Take Me To The Alley — Gregory Porter 

Best Gospel Album: Losing My Religion — Kirk Franklin

Best Latin Pop Album: Un Besito Mas — Jesse & Joy 

Best Music Video: “Formation” — Beyoncé 

Best Music Film: The Beatles: Eight Days A Week The Touring Years 


NME Awards - the winners

Best British Band -  Biffy Clyro 

Best International Band - mMetallica 

Best British Male - Skepta 

Best British Female - MIA 

Best International Male -Frank Ocean 

Best International Female - Christine & The Queens 

Best New Artist -  Dua Lipa

Best Album - Bastille – ‘Wild World’ 

Best Track - Christine And The Queens – ‘Tilted’ 


Best Live Band - The 1975

Best Video - Slaves – ‘Consume Or Be Consumed’ 

Best Festival - Glastonbury 

Best Music Film - Oasis: Supersonic –

Best Festival Headliner - Adele 

Best Small Festival - End Of The Road 

Hero Of The Year - Beyoncé 

Worst Band - 5 Seconds Of Summer

Godlike genius - Pet Shop Boys

Thursday, 9 February 2017

Drake Named IFPI Global Recording Artist 2016

Drake has been named by IFPI as the world’s best-selling recording artist of 2016, highlighting the huge success of his fourth album, Views, which was released last year.

Drake is the fourth recipient of the IFPI Global Recording Artist of the Year Award, the unique and authoritative accolade that reflects an artist’s worldwide success across physical and digital formats, including downloads and streams.

Views became the first album to reach one billion streams on Apple Music, while One Dance, the album’s second single, was the first song to be played one billion times on Spotify. The follow-up singles Pop Style, Controlla and Too Good also all found huge success across the globe.

In conjunction with the Global Recording Artist award, IFPI issued its annual Global Top 10 list. David Bowie, who took second place on the global chart, had released his album Blackstar two days before his death in January 2016. The album reached number one in 24 countries.

In third and fourth place on the chart, respectively, were Coldplay and Adele whose 2015 albums A Head Full of Dreams and 25 remained immensely popular throughout 2016.

The independently verified IFPI Global Recording Artist chart includes sales of albums – across digital, CD and vinyl formats; singles, both downloaded and physical; and on-demand audio streams and music videos across the calendar year.

The chart includes all the music of each artist featured, not just one track or album. It uses album equivalent units to combine measurements of downloads, physical sales and streams.


Top 10 Global Recording Artists of 2016

1  Drake

2  David Bowie

3  Coldplay

4  Adele

5  Justin Bieber

6  Twenty One Pilots

7  Beyoncé

8  Rihanna

9  Prince

10 The Weeknd                    

Wednesday, 8 February 2017

THE REVOLVING DOOR

Ticketmaster has hired music industry veteran David Marcus to head a newly-formed music division in North America. As EVP, Head of Music, Marcus will oversee Live Nation’s artist services operation OnTour, the Venues & Promoters ticketing segment and club ticket platform TicketWeb.

Gary Hutchinson, formerly commercial director at English football team Sunderland AFC, has joined Wembley Stadium in London as head of venue sales and commercial partnerships. Other recent staff changes at Wembley, the UK’s largest stadium, include the promotion of Liam Boylan to stadium general manager, where he will work alongside Hutchinson and partnership development manager, music and new events, Danielle Russell to “bring the best of music to the stadium”, says Russell.

United Talent Agency (UTA) has hired branding expert Toni Wallace, most recently senior director of strategic marketing at Columbia Records, as Head of Music Brand Partnerships, based in Beverly Hills, CA

The Chairman & CEO of Sony Music's international operation, Edgar Berger, is leaving the major. Sony Music Chairman & CEO Doug Morris told staff that Berger had "decided to leave the company to pursue new entrepreneurial interests".

Facebook has poached Tamara Hrivnak to lead its global music strategy worldwide. She leaves behind her role as Director Of Music Partnerships at YouTube and Google Play in San Francisco.


Universal Music Publishing Group has made a major appointment in the US, hiring Viacom exec Rochelle Holguin to work with its sync, film/TV and A&R departments as VP Creative Strategy. 


Warner/Chappell Production Music has promoted Aaron Gant to SVP, Production Music. CEO Randy Wachtler called Gant's commitment 'an incredible asset'.

Longtime radio programmer Michael Bryan is joining Creative Artists Agency in a newly created position where he will develop brand strategies and assist in artist development for acts across the CAA roster.

Virgin EMI has bolstered its team with the appointment of Jordan Jay as senior A&R manager. The move marks a return to Universal Music for Jay, who worked at Geffen and Polydor/Fascination between 2006-2012.

Ron Wilcox, WMG's Executive Counsel, Business Affairs, Strategic and Digital Inititatives, has joined the board of SoundExchange, replacing Sony's Jeff Walker. SoundExchange is the independent nonprofit collective management organisation that collects and distributes digital performance royalties to featured artists and copyright holders.The SoundExchange Board of Directors is comprised of 18 individuals, split evenly between artist representatives and label representatives.

Ben Vaughn has been promoted to President of Warner/Chappell Nashville, six years after moving to the company from EMI Music Publishing.

New York-based Sheila Richman has been promoted to Executive Vice President, Press & Media, for Atlantic Records. Richman, who joined Atlantic in 2004, was most recently Senior Vice President of Publicity.


The Musicians' Union has announced the two candidates who are standing for the role of its General Secretary. A new chief is to be elected following the decision of incumbent John Smith to stand down later this year after fifteen years in the job. The two candidates going forward to a ballot of members are MU Executive Committee member Kathy Dyson and current MU Assistant General Secretary Horace Trubridge. The ballot of members will now be held between 6th and 27th March.

Dickinson Wright, PLLC's has hired Nashville-based entertainment attorney Noah McPike and will join the Music Row office of the firm. McPike's practice not only spans representation of independent and major label artists, writers, producers, and industry executives, but also new media, intellectual property and corporate clients.

Apple has hired former Spotify VP of Content Steve Savoca. Savoca will be heading up label relations based out of New York, focusing on relationships with smaller, independent labels.

Dave Berry is departing the London breakfast show at Capital FM for a new job at rival station Absolute Radio.

Janice Min will leave her position running editorial at Billboard and The Hollywood Reporter at the end of February. Mike Bruno will take over as editor of the music title.