AEG's deal to take over the running of Wembley Arena
has been referred to the Competition Commission after an initial investigation
by the Office of Fair Trading. Late last year AEG won the rights to manage the
Wembley Arena venue, previously held by Live Nation, but concerns were raised because
AEG also operates London's other arena venue at The O2 complex, as well as the
Hammersmith Apollo.
Monday, 25 March 2013
AEG's Wembley deal faces regulator scrutiny
AEG's deal to take over the running of Wembley Arena
has been referred to the Competition Commission after an initial investigation
by the Office of Fair Trading. Late last year AEG won the rights to manage the
Wembley Arena venue, previously held by Live Nation, but concerns were raised because
AEG also operates London's other arena venue at The O2 complex, as well as the
Hammersmith Apollo.
Friday, 22 March 2013
Kili Live join AIF
Kilimanjaro Live has joined the Association Of Independent Festivals, with its top man Stuart Galbraith joining the trade body's board and bringing Wakestock, Vans Warped Tour and Sonisphere into the independent festival community. Alongside existing members such as Bestival, Glade, Truck, Kendal Calling, Nozstock, End of the Road, Cornbury and Secret Garden Party, a number of other indie festivals have also recently allied with AIF, including Tramlines, In The Woods, Greenbelt, London Summer Jam, Folk On The Water, Brecon Jazz, Larmer Tree, Festibelly, Imaginadium, Open House Festival, Blissfields and SWN.
Thursday, 21 March 2013
SFX snaps up ID&T and Tomorrowland
Robert Sillerman's rapidly expanding EDM business SFX has taken a 75% stake in European dance promoter ID&T, confirmed by the launch of a US edition of ID&T'S massively successful Tomorrowland festival. The Belgium version of the dance music festival is already sold out for 2013. The US version will be called TomorrowWorld and will take place in Atlanta in September. According to the New York Times, the acquisition is worth $97.5 million. Tomorrowland won best major festival at the 2012 Festival Awards Europe.
And advertising and communications group WPP has taken an investment in SFX itself, saying it sees it as a valuable platform for the brands it represents with WPP saying the investment “underlines what we have believed from the start. There is a huge, global, fragmented audience of 16 to 34 year old dance music consumers that is very difficult to reach. In developing our global platform. We will be able to offer brands the opportunity to connect directly through events, festivals, online and mobile media”
And advertising and communications group WPP has taken an investment in SFX itself, saying it sees it as a valuable platform for the brands it represents with WPP saying the investment “underlines what we have believed from the start. There is a huge, global, fragmented audience of 16 to 34 year old dance music consumers that is very difficult to reach. In developing our global platform. We will be able to offer brands the opportunity to connect directly through events, festivals, online and mobile media”
YouTube tops 1 billion
YouTube now has a billion viewers a month, says the Google-owned video platform, up from 800 million monthly uniques in October 2011
Death in the museum is off
Napalm Death's planned show at London's V&A museum has been cancelled over fears that the noise generated by the band will "damage the historic fabric" of the V&A's exhibits and the the building itself. V&A staff say the decision was taken "with regret" and "This was due to take place in the Europe Galleries which are currently being refurbished, and a further safety inspection has revealed concerns that the high level of decibels generated by the performance would damage the historic fabric of the building. The V&A is committed to an exciting programme of exhibitions and events but the safety of our visitors and building remains our priority at all times". The V&A is currently hosting a sold out retrospective of David Bowie's career.Girls Aloud gone for good
After completing a spectacular comeback tour, Girls Aloud have split for good. After finishing the final gig of the Ten Tour in Liverpool a message was put out via their official Twitter page saying "Dear Alouders, we just want to say from the bottom of our hearts Thank you!! This tour has been an amazing experience and the perfect chance to say thank you for being on this journey with us through a decade. It has far exceeded any of our dreams and we hope we are forever your inspiration and reminder that dreams really do glitter!!"The five piece all girl band had twenty-two consecutive top twenty singles, including four numbers one. They also put out six albums, reaching the top spot twice.
Monday, 18 March 2013
Bowie Back at No 1
AEG face $40 billion Jackson claim
TMZ reports that Katherine
Jackson and the children of Michael Jackson are suing AEG Live for a whopping $40
billion, arguing that AEG Live - promoter of Michael Jackson's ill-fated 'This
Is It' show - is liable for the singer's death because it hired and managed Dr
Conrad Murray, the medic convicted of causing the late king of pop's death through negligent treatment. Having had some claims removed from the suit, AEG
counters that Jackson himself chose Murray and was the doctor's day-to-day
manager, and therefore it is not liable for his actions.
Saturday, 16 March 2013
Guetta cancels after subsidy row
David Guetta has cancelled a concert in Marseilles after it emerged the show was being subsidised to the tune of E400,000 and 70,000 people signed a petition saying it was a waste of public money.
The high earning Guetta made it clear that the tax payer's money was not a fee, and was being spent to turn Borely Park in Marseilles into a concert venue.
The high earning Guetta made it clear that the tax payer's money was not a fee, and was being spent to turn Borely Park in Marseilles into a concert venue.
Friday, 15 March 2013
AEG not for sale!
AEG, the venue operator,
sports and tour promoter which has been up for sale since last year, is off the
market. The live entertainment company, which runs the O2 in London and part owns the LA Lakers basket ball team will now remain part of the Anschutz
company, with its top man Philip Anschutz playing a more active role moving
forward. Its thought offers feel at least $1 billion short of the $8-10 million asking price. Meanwhile, in a surprise move, AEG CEO Tim Leiweke will depart the
company, with CFO Dan Beckerman taking on most of his responsibilities.
Boardroom changes at Live Nation
With the announcement that
James Dolan, Exec Chairman The Madison Square Garden
Company had departed the board of Live Nation following Irving Azoff’s exit at
the end of 2012, MSG has sold its Live Nation shares, which amounted to about 2% of the company.
Live Nation has also
announced the appointment of a new Chairman of the board, Greg Maffei, who is
also CEO of Liberty Media, the biggest single shareholder in the live music, venue,
artist management and ticketing group.
eBay shifts tickets to StubHub
eBay UK has confirmed that
it is in the process of shifting the ticket reselling that occurs on its online
auction platform over to the UK wing of StubHub, the firm's secondary ticketing
service which launched in the UK last year.
Thursday, 14 March 2013
Pirate Bay human rights appeal fails
Two of the founders of the Pirate Bay have failed in their final appeal against their convictions for copyright infringement in the Swedish criminal courts, with the European Court of Human Rights finding that Sweden had rightly convicted the pair. Fredrik Neij and Peter Sunde were sentenced to one year imprisonment by the Stockholm District Court in April 2009 for crimes against the Copyright Act. Together with two other defendants they were also found liable for damages of approximately K30 million (US$4.3 million). Their prison sentences were reduced in November 2010 by the Svea Court of Appeal, but the joint damages were increased by that court to K46 million (US6.8 million). The Swedish Supreme Court denied them an appeal hearing in February 2012. Neij and Sunde complained that their convictions infringed their freedom of expression under Article 10 of the European Convention in Human Rights but The seven judge court unanimously rejected the application as "manifestly ill-founded".
Wednesday, 13 March 2013
Retitling of songs means millions missing in unreported artist royalties
A new report,
the “State of the Music Licensing Industry: 2013” provides evidence that
shows an increasingly problematic music licensing landscape for recording
artists, labels and publishers and highlights that whilst the music licensing industry
continues to grow as a multi-billion dollar segment of the global music
industry, there remains some unhealthy practices, most notably the prolific
practice of retitling. Retitling is where a music licensing company
re-registers a song under a different title with a performing rights
organization (PRO), allowing for the royalties to be separately tracked when
that song is licensed for a specific third party use. This allows the music
licensing company to control and earn a significant share of the royalties
collected. The report states that 40% of music licensing companies retitle
works for a share in royalties garnered from “sync” placements. “The practice
of retitling is considered unhealthy for artists and for the music licensing
industry. It can be very problematic, as one piece of music with many titles is
confusing and can lead to multiple parties claiming ownership of the same work
and ultimately artists not receiving royalties owed, if at all” said Winston
Giles, CEO and founder of the newly set up Music Licensing Directory which
produced the report.
Although the report concludes that the practice of retitling may soon come to an
end as “digital fingerprinting” provides more effective and accurate data, Giles
adds “Some royalty collection societies
have begun the implementation of digital fingerprinting, however there remains
no industry standard and the adaptation away from archaic cue sheets to the new
technology has been very slow” adding “There are suggestions from within the
industry from companies like Tunesat, who claim that up to 80% of songs are not
reported properly. When you consider that in the USA the collection societies
collect over 2 Billion dollars annually - there is potentially a lot of money owed
to artists going missing.”
View the full report: http://www.musiclicensingdirectory.com/state-of-the-music-licensing-industry-2013
Tuesday, 12 March 2013
Morrissey, Bieber and Rihanna all cancel
Morrissey has been forced to
cancel more shows after being hospitalised again, this time with "double
pneumonia" - pneumonia in both lungs. This follows another hospital visit for the singer
earlier this year for a bleeding ulcer, concussion and a throat condition. The ilness has forced the cancellation of the first day of the the Vive Latino festival in Mexico which the ailing singer was meant to be headlining
And after an unexplained two hour late running show at the O2, terrible press, collapse at a show and self diagnosed hospitalisation and then a fight with paparazzo in the UK, Justin Bieber has now cancelled a show in Portugal: Although the 19-year-old performed on Monday night at Lisbon's Pavilhão Atlântico, Tuesday's gig has been called off owing to "unforeseen circumstances".
And a laryngitis and flu-struck Rihanna has cancelled two dates on her US-based 'Diamonds' tour. Promoter Live Nation released a statement saying that the R&B star is "still recovering" from previously revealed ill health. The shows will be re-scheduled.
And after an unexplained two hour late running show at the O2, terrible press, collapse at a show and self diagnosed hospitalisation and then a fight with paparazzo in the UK, Justin Bieber has now cancelled a show in Portugal: Although the 19-year-old performed on Monday night at Lisbon's Pavilhão Atlântico, Tuesday's gig has been called off owing to "unforeseen circumstances".
And a laryngitis and flu-struck Rihanna has cancelled two dates on her US-based 'Diamonds' tour. Promoter Live Nation released a statement saying that the R&B star is "still recovering" from previously revealed ill health. The shows will be re-scheduled.
Glittering "Arthurs" top off another sell out ILMC
A breakfast meeting with Pink Floyd drummer Nick Mason and packed 'Dragons Den' meetings with live music industry legends Thomas Johansson, Leon Raemakers, Carl Leighton-Pope and Harvey Goldsmith were highlights of another sell out ILMC in 2013, with other panels focussing on new technology, festivals, the Russian market and EDM. The ILMC weekend kicked off with the ILMC Production Meeting and played host to the Green Events & Innovations Conference, as well as important meetings for the Concert Promoters Association, Yourope (the European festivals association), The Association of Independent Festivals (AIF), The European Arenas Association (EAA) and the International Jazz Festival Organisation (IJFO)
And it was was top and and tails at the 'roaring 20s' themed ILMC Gala Dinner this year, held in the rather grand riverside Ballroom at London's Savoy Hotel. Hosted by Ben Challis, guests at the International Live Music Awards - or "Arthurs" - were treated to a marvellous night and the winners are .....
First Venue to Come Into Your Head: The Royal Albert Hall (UK)
Services Above And Beyond: EPS
Liggers Favourite Festival: Rock Werchter
The Golden Ticket: The Ticket Factory
Most Professional Professional: Gillian Park (MGR, UK)
The People's Assistant: Charlie Renton (Primary Talent, UK)
Tomorrows New Boss: Oliver Hoppe (Wizard, DE)
Second Least Offensive Agent: Emma Banks (CAA, UK)
The Promoter's Promoter: Folkert Koopmans (SKP Scorpio, DE)
Photos (c) 2013 ILMC
Festicket raises $680,000 for expansion
Hypebot reports that
Festicket, the UK website for music festival travel packages, has raised
$680,000 in a new round of funding. Festicket says the funds will be utilised
to further build the platform and increase the range of products that it can
offer, boost sales and marketing and speed up its plans for European growth.
The company takes a 20% commission fee on all packages, which include ticket,
transportation and accommodations.
Saturday, 9 March 2013
Florence goes to WME
Florence Welch (Florence & The Machine) has signed up with agents William Morris Endeavour for North America, and in "all other areas" elsewhere in the world. CAA will continue to represent Welch for personal appearances outside North America.
Power back on the Farm
Vince Power confirmed that the Hop Farm festival will return this summer. The previous company that ran the event, Kent Festivals Ltd, collapsed when its parent company, Power's Music Festivals plc went bust last year, but Power again owns the rights to stage the Hop Farm event, and will announce a line-up for a 2013 programme soon. Power had also bought back the rights to Spain's Benicassim festival from the short lived Music Festivals plc business. Local newspaper Kent On Sunday published a story claiming that the Hop Farm owed £4.8 million when Music Festivals plc went under, and listed the debts owed by the company that included £100,000 owed to Peter Gabriel, £46,000 owed to Suede and £22,000 owed to Kent Police.
Streaming news!
Soghu has reached a settlement with the major record labels in in China who had sued Sogou and its owner over the MP3 search facility it offered, which the labels said was a gateway to illegal content. Under the agreement, the labels will forget past grievances, and Sogou will become a customer, licensing music for a new streaming and download service, which will be seemingly free to the user (and therefore presumably funded by advertising). The deal echoes that reached in 2011 with another once controversial Chinese search engine, Baidu: elsewhere in streaming news, Apple's much and long mooted streaming service is taking longer than the tech giant would like to reach market because of the firm's royalty offer, with the record labels unhappy with Apple’s current royalty plans; And streaming service Pandora has announced that its revenues were up 56% for the financial year ended 31 Jan, thanks mainly to an increase in mobile revenue, though losses were nevertheless up, from $16.1 million to $38.1 million, attributed to rising content costs. Finally on streaming, O2 has launched a massive £7.3 million ad campaign for O2 Tracks, an interesting mobile-based streaming service that went online last month.
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